上海当代论坛及讨论 2010年9月9-12日

上海当代论坛及讨论 2010年9月9-12日

上海当代论坛及讨论 2010年9月9-12日

时间:2010-07-22 16:35:00 来源:卓克艺术网

展览 >上海当代论坛及讨论 2010年9月9-12日

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Conferences and debates at ShContemporary 9-12 September 2010
 
Shanghai Exhibition Centre
No.1000 Yan An Road (Middle)
Shanghai 200040 - China
 
Every September, Shanghai becomes a key destination for the international art world, as the entire Asian contemporary art scene comes together during ShContemporary for the most dynamic art week of the year.
 
ShContemporary is hosting two conferences that tackle the most pressing issues regarding collecting contemporary art today. The first conference challenges major institutions to face up to questions regarding their collections of Asian art; and the second conference asks how value is constructed and then consumed by the contemporary art system.
 
Collecting Asian Contemporary Art: What, When, and How?
On 9 September, directors of prominent international museums shall meet to discuss the future of Asian contemporary art collections. The conference is organized by Chinese born curator and critic Hou Hanru in collaboration with ShContemporary.

Identifying a complex cocktail of issues in Asia including the relationship between new thriving economies and pervasive art speculation, the lack of professionalism in Asian museums, and Western cultural fetishism towards Asian contemporary art, Hou Hanru has invited a panel to bring up provocative thoughts and proposals to deal with a wide range of questions, including the following:
 
  • What’s a public institution today, in the age of the commoditisation of art?
  • How do specific visions and strategies for collecting affect the missions of different museums, especially in the context of Asian contemporary art?
  • How can collecting contemporary art affect public policy when increasing attention is paid to the production of culture and art by public authorities?
  • Why collect Asian contemporary art, in the end?
    And what will be an ideal museum for it?
 
Speakers include:
Kathy Halbreich – Deputy Director, MoMA, NY; Frances Morris – Head of Collections (International Art), Tate, London; Alexandra Munroe – Senior Curator of Asian Art, Solomon Guggenheim Museum, NY; Wang Huangsheng – Director, CAFA Art Museum, Beijing; He Juxing – Director, Minsheng Art Museum, Shanghai; Tan Boon Hui – Director, Singapore Art Museum, Singapore; Suhanya Raffel - Head of Asian and Pacific Art, Queensland Art Gallery, Brisbane; Raiji Kuroda – Chief Curator, Fukuoka Art Musem, Fukuoka; Uli Sigg – private collector, Switzerland; Guan Yi – private collector, Beijing
 
DISCOVERIES 2010 – RE-VALUE
An Exhibition and Conference

As rising economies in Asia give birth to new art markets where artist prices can grow a hundred fold in just a few years, the question of what gives art its value seems an important issue to discuss with new collectors. Since the art market has become larger than ever before, it also wields more power to determine what is deemed valuable. However, the relationship between art and value is just as complex today as it has always been, and the clarity provided by the art market is only part of a matrix of meanings that the word value has.
 
The exhibition
Discoveries: Re-Value
is a group show of 25 artists curated by Mami Kataoka, Manray Hsu, and Colin Chinnery at ShContemporary that asks pertinent questions about the meaning of value from different perspectives: a show that questions the nature of the art market within its own commercial context.
 
The Conference
Re-Value: The Construction and Consumption of Value in Contemporary Art
is a conference hosted by UACC & ArtTactic in collaboration with ShContemporary. Split between two sessions, the seminar will first invite representatives from museums, art journals, foundations, auction houses and galleries to discuss the art system that constructs value from art; and then invites collectors to discuss value from the other side – those who recognize and consume the value in art.
 
CDP – Asia Pacific Collector Development Programme
This series of conferences and debates on collecting art is part of ShContemporary’s special long-term project, CDP, which aims to help educate and stimulate a new generation of collectors in China through events, tours, and publications.
 
www.shcontemporary.info

For enquiry please contact
info@shcontemporary.info
 
 
ShContemporary 上海当代论坛及讨论 2010年9月9-12日
 
上海展览中心
中国 上海 延安中路1000号200040
 
    每年的9月,上海成为国际艺术界的重要目的地,整个亚洲艺术界相约聚集于上海的ShContemporary,呈现出一年中最活跃的艺术周。
 
    ShContemporary上海艺术博览会国际当代艺术展将针对如今当代艺术收藏最紧迫的问题开展两个论坛。第一个论坛将挑战重要的艺术机构直面其亚洲当代艺术收藏的问题。第二个论坛将对如何构建艺术价值及其如何被当代艺术体系所运用展开讨论。
 
收藏亚洲当代艺术:收藏什么、何时收藏、如何收藏?
    9月9日,众多国际美术馆馆长将汇聚一堂共同探讨亚洲当代艺术收藏的未来。该论坛由出生在中国的策展人及艺术评论家侯瀚如先生联合ShContemporary共同组织。

    论坛将针对亚洲艺术一系列广泛问题:包括繁荣经济和普通艺术买卖的关联,亚洲美术馆专业程度不高以及亚洲当代艺术对西方文化的盲目崇拜进行讨论。侯瀚如邀请了多名专家进行参与并对以下广泛问题进行讨论:
 
  • 今时今日在艺术商品化的时代下,什么是公共机构?
  • 对收藏的洞察与战略如何影响不同美术馆的使命?尤其是收藏亚洲当代艺术?
  • 当文化和艺术的建设受到公共机构广泛关注时,当代艺术收藏是如何影响公共政策的?
  • 为什么要收藏亚洲当代艺术?收藏亚洲当代艺术的理想美术馆应该是什么样的?
 
论坛演讲人包括:
    Kathy Halbreich –纽约现代艺术博物馆副馆长; Frances Morris –伦敦泰特现代艺术馆国际艺术收藏项目总监; Alexandra Munroe –纽约古根汉美术馆亚洲艺术高级策展人; 王璜生 –北京中央美术学院美术馆馆长; 何炬星 –上海民生现代美术馆馆长; Tan Boon Hui –新加坡美术馆馆长; Suhanya Raffel -布里斯班昆士兰美术馆策展及收藏发展项目副总监; Raiji Kuroda –福冈美术馆总策展人; Uli Sigg – 瑞士顶级藏家; 管艺 –北京顶级藏家。
 
发现 2010 – 价值重构
展览与论坛

    亚洲持续增长的经济使得新兴艺术市场产生了艺术家作品的价值能在短短的几年内以百倍的速度增长的现象。什么构成了艺术的价值,显然成为了一个与新兴收藏家需要探讨的重要问题。由于艺术市场已经比以前任何时候都要壮大, 它也拥有更大的权利来决定什么是有价值的。但是艺术与价值之间的关系还是一如既往的复杂,艺术市场所提供的解释只是“价值”一词意义矩阵的一部分。
 
展览
   发现 – 价值重构
,是一个由Mami Kataoka, 徐文瑞与秦思源共同策展的由25位艺术家组成的展览,该展览从各个不同的角度来寻求价值的意义,并对商业环境下的市场本质提出质疑。
 
论坛
    价值重构:当代艺术价值的结构与消耗是由合艺典藏及
ArtTactic与ShContemporary合作举办的论坛。该论坛分成两部分,首先将由美术馆、艺术媒体、基金会、拍卖行与画廊的代表来畅谈构成艺术价值的体系;其次由收藏家从另一个艺术赏识者与消费者的角度来谈谈艺术的价值。
 
CDP –亚太区收藏家发展项目
   该系列关于收藏艺术的论坛和讨论是上海当代一项长期运作的亚洲藏家发展项目的一部份。该项目旨在通过安排丰富的活动以及世界艺术之旅来帮助中国新藏家的发展。
 
www.shcontemporary.info

如需获得更多信息,请联系
info@shcontemporary.info

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